Showing posts with label influences. Show all posts
Showing posts with label influences. Show all posts

Thursday, 13 February 2020

WHERE LOYALTIES LIE14 More character involvement

An issue we are having is using Charles and Marie to contribute to our plot. At the moment, their scenes work and are funny however they make no sense to the rest of the plot. To allow this, we once again changed the reason for the Brighton Trio being in London: they are now there for a night out and are crashing at Harry and Meredith's.

We improvised a scene between Charles, Marie, Dave and Harry at the bar, but it fell flat because there was lots of confusion between cast members over what this scene actually was. By the time this was sorted out, the energy had been lost so they decided to write up this scene instead.
While they were doing that, Amelie and I worked on our breakup scene. We initially thought we would demonstrate this via physical theatre, but as most of the moves we know require trust, it didn't fit with the main issue of 'no trust' between Harry and Meredith.


We then switched to a naturalistic scene. This was tough to make realistic as neither of us have any experience in calling off engagements. To help, we discussed our previous relationships and how they ended. We then used Stanislavski's technique of emotional memory where you associate tension in one part of the body with an emotion, but all this achieved was heightened anger and lots of shouting.
To try and help, we set some rules for the opening of the scene. Amelie was to ignore me, and I got more frustrated that meditation was more important than him. Amelie also could not reply until she reached stage right, to maximise the effectiveness of silence. These helped to make the scene more naturalistic and also allowed us to think about how the characters are really feeling.

After this, Amelie researched different physical theatre ideas that demonstrates no trust in order to make this scene a bit more exciting. Here are some videos she found:
We liked these ideas and worked them into the scene.

Saturday, 8 February 2020

WHERE LOYALTIES LIE11 Plot changes

We decided we were far behind our original schedule therefore we organised to do a Saturday rehearsal. We have decided to make a large adjustment to our plot. Our original influence was from the play 'Art' and recently we have been drifting away from it a bit too much, meaning we have nothing to fall back on . Stimuli are extremely important when creating theatre as without it, you feel lost.

James explained his new idea for the plot and it worked a lot better. One change was that James, myself and Tristan are now best friends from school. A scene we decided to develop was a fragmented monologue between these three characters. We started off by writing a monologue individually for 5 minutes. This worked very well, as we decided on a way to link each monologue. We chose to have certain words to link each section of speech. Here is the script we wrote.


HarryI'm Harry Thomas. I'm 26. Work in an office for a stationary company. Have done for four years now. It's not my end goal. I wanna be higher up in the company. I want make money like my mate 
Harry/DaveDave 
Dave - David Jones. My mates call me Dave. I work for Amazon as a sales director. I always excelled in school and maybe that's why I am where I am today. I got A*'s in all my exams, I was able to go to Uni a year early to study Business and Economics. Harry and Freddie have always been my best mates, we grew up together, we are….. 
Dave/Freddie – Basically Brothers  
Freddie - 'Brothers Ice Cream'. That’s what we were gonna call it. I still remember when Harry bought that ice cream van the year we graduated. I've never seen him happier since then. 
*Cuts to Harry from past* 
Harry - Mate I've just bought this new van. For ice cream. We can make millions and do this for the rest of our lives. 
*Back to present* 
Freddie - And then he sold it. I still don't know why. It was a great investment. Good old days. AnywayI bought this pub and called it Brothers bar in honour of that Ice cream dream. And it is / a dream come true 
Freddie/Davea dream come true 
Dave because it means we get free drinks every now and again, courtesy of Freddie of course. Although he's been abusing the stock a bit recently. Our friendship is about to be tested though because I think that Harry is about to propose to Meredith.  
Dave/Harry - Meredith. 
Harry - My ray of sunshine. Might marry her soon. She's bloody mental though. One of them spiritual ones. I'll come home from work and she'll be hanging off the back of the sofa listening to whale sounds. Says it brings out her inner mermaid. She wants me to quit my job and move to Hawaii with her. I'm not doing that though. I'm happy here. I have the boys.

While we were doing this, the rest of our cast were working on a fairy tale style 3 minute performance to show our whole new plot line. This was extremely useful as it finally cleared up the process for us. Here is the storyline:

- once upon a time in London, there were three friends from university, Harry, Dave,Fred (Louis, Tristan, James)
- one day Harry met Meredith (me), and they fell in love
- they were very happy, but Dave didn't like how she was changing him
- Fred was caught in the middle, torn between his two friends
- but one day, Jane (Emma) came along and started dating Dave
- everyone was happy, and Fred was just glad there was no conflict
- things were going so well that Harry and Meredith got engaged, she decided they should move to Hawaii
- but behind their backs, Dave said to Jane that they should break them up to avoid losing Harry
- meanwhile in Brighton, Meredith's brother Geoff (Hugo),  his roommate Charles (Seth) and Charles' girlfriend Marie (Silvana) were having a conversation. 'Since we all want to move to London, why don't we live together?'
- Geoff found a place, but they had to find somewhere to stay for a couple of weeks in between
- Geoff called up Meredith, who said they could come to stay
- after a few days of living together, Meredith introduced them to her and Harry's friends
- but at some point in the evening after constantly hitting on Fred, Geoff overheard Dave and Jane discussing their evil plan
- Geoff went straight to Meredith and told her, but Meredith didn't believe it. 'You're just jealous'.
- Geoff didn't give up. He went to Charles and Marie to ask for their help. They decided that Marie should befriend Jane and convince her to stop
- they became fast friends, and Jane eventually decided to tell Dave to stop it. They fight, and she breaks it off
- it was too late though, as Harry heard that Meredith had been cheating on him with Fred
- he confronted her and she was hurt that he doesn't trust her
- they broke off the engagement
- Geoff found out and enlisted Fred's help in comforting them. Geoff sent Fred to Harry, while he went to his sister
- Meredith told Geoff that Harry thought she cheated on him with Fred and Geoff realised what he's done
- they rushed over to Harry, who was yelling at Fred who was totally confused
- Fred pointed out that he didn't have time to even see Meredith let alone sleep with her because he was too busy running away from Geoff's advances
- Harry realised he has made a mistake and apologised to Meredith
- they got back together and told Dave where to go
- and they all lived happily ever after

This was a vital rehearsal as it is the only rehearsal I have felt we have made important progress. With our performance coming up soon, we were worrying slightly as we were far behind. We needed this rehearsal.

Wednesday, 22 January 2020

WHERE LOYALTIES LIE5 Developing more scenes

We split into 2 groups to develop more scenes between the characters. One scene was between myself, James and Tristan. The plan for this scene was to show their friendship and show Tristan's disliking towards Harry's (Louis') girlfriend, Meredith. This worked well as we managed to use good sets of movement to portray a friendship.

The other two groups also created non-naturalistic scenes. Here is a video of Emma, Silvana and Amelie's...

This physical theatre was really good. One bit I really liked was the 'puppet' movement. This is useful for showing a controlling relationship. We would probably use this movement between myself and Amelie to show that she controls me.

Hugo and Seth also created a short sequence using the poetry we used a while back. We didn't film it as it was too short to use in our performance.

This was a useful rehearsal as we developed different options.

We then looked at a specific DV8 scene set in a bar. We wouldn't be able to recreate this scene as it is very complicated however we would still use a similar style of movement surrounding beer glasses. We liked:

Tuesday, 21 January 2020

WHERE LOYALTIES LIE4 Poetry influences and music

FEST PROJECT: units 9 and 33

Today we looked at pairing words with physical theatre sequences. To start with, we ran a short but comprehensive warm-up, consisting of stretching and light cardio to minimize the risk of potential injury.
Throughout the lesson we played the following songs as they are all about loyalty - which is the overall theme of our piece:


https://www.youtube.com/watch?v=ESXgJ9-H-2U
https://www.youtube.com/watch?v=ISy0Hl0SBfg
https://www.youtube.com/watch?v=gOEHefkds2w&list=RD_QJATCkleXc&index=5
https://www.youtube.com/watch?v=_QJATCkleXc&list=RD_QJATCkleXc&start_radio=1&t=19
https://www.youtube.com/watch?v=HbVKmSQqELY
https://www.youtube.com/watch?v=HafWi_moOi8&list=RD--wy8QmLlM8&index=4
https://www.youtube.com/watch?v=YeawPUpTHJA&list=RDuco-2V4ytYQ&index=2
https://www.youtube.com/watch?v=K3JGxj2rvAs

We were looking to find any dialogue in the music that we could look further into. 
After the warm-up, we looked at three different poems regarding loyalty, read them out loud and discussed them.
POEM 1:
John Shelley waited for me
in front of my period 7
Creative Writing class
and I knew
what he wanted even before he spoke.
"I'll drive you
again today, " I said.
"I can't bear
the bus ride home
after the hospital -
so much noise
confusion."
"No problem."
John Shelley stared
into my eyes
perhaps wanting a solution
to hi agony -
not possible.
"It's not her death,"
he finally said,
"but the slow dying
I can't endure
a hope turned turned to dust
then another glimmer
that soon gone too
feel so weak
my wife tries
to understand...
well
it's my mother
and I'm an only child."
Suddenly I heard a commotion in class
nodded to John
rushed inside
to see
16 year old Carrie Cook
belly bulging with child
holding her hand high
the diamond engagement
ring
sparkling
in the flickering fluorescent light
of motherhood.

The first was about a teacher's loyalty to a colleague who had a terminally ill mother. This was the longest of the three, which meant that we spent a long time dissecting it. There were lots of underlying issues such as teenage pregnancy and marital problems, however we decided to look at the bond between colleagues in more detail as it is simpler to portray than the others.

POEM 2:
Loyalty slips around my silent brother
Guarding me from pain
Desperate to save me

Honor slunk before the drunken man
He yells and screams
Booze wafts off his breath

Regret hobbles inside a broken lamp
The one that just hit my brother
It's light never to shine again

Hope paced around the weak child
As sirens sound outside the door
And men dressed in blue
Break down the door.

By Analissa Range

The second poem we looked at was about a child's brother being beaten with a lamp by their father, and the internal conflict it caused. This is an interesting dynamic, however we didn't look at this one in much detail because after some thinking I realised that it would not fit in with our characters, and also because we decided that theme was too dark for the sort of piece we would like to create.

POEM 3:
Jewels of meekness
Serenade the lonely heart
Her dignity is a shawl of blue light
Close to faith in her pain
Gentle as a sapphire night
Warm with rubies in mystic fire

I will never be on the outside
I will always read your words
I shall send angel flowers

You have touched me my friends
We are alike
Broken yet resolved to do good
Abstract kisses are still sweet
No poet writes to no one
Universals flow in time
If I go first a tear you will cry

Loyalty sometimes is sublime

By Joseph Narusiewiez

The last poem we read was the shortest of them all, and fairly vague. It is about the narrator's dying friend, and had beautiful imagery - for instance sending 'angel bouquets' to her. This poem explored the possibility of loss of loyalty between them, resilience and how they work through issues and separation.

To try and put these poems to movement, we split into two groups - the three girls and the five boys.
The girls decided to go with the last one as it is potentially the most relevant to our piece, even though it is a more serious topic. We did not manage to develop much material as we only had ten minutes to do so, however they discussed the nature of movement they could use and found some examples. For instance, with the whole poem being about
loss and reflection, felt that they could do a trust lean or lift. The lean would be one person leaning with a straight body off the stage with planted feet while the others hold onto an arm each. Alternatively, they could do two flying lifts with one person reaching towards the other, but they would need more people.

While all this was useful, I think we really need to work out the basic plot of the piece tomorrow, as well as developing more physical theatre techniques.

Wednesday, 15 January 2020

WHERE LOYALTIES LIE3 Devising short scenes

BRAINSTORM


Starting activity: What is loyalty?

  • Friendships 
  • Relationships 
  • Compromising your beliefs 
  • respect and honesty 
  • Family - character can't decide whether 
  • Job - offered new job but have loyalties to the last one 
  • Organisation 
  • Religion 
  • political leaders 
  • standing by someone at all times 
  • cheating on s/o 
  • compromising beliefs to defend people you're loyal to 
  • brand loyalty 
  • biological family vs the people who actually raised you 

IMPROVISATION

Task - to create 3 scenes in 20 minutes, that surrounds the issue of loyalties

Tristan and Emma


  • Silent entrance - showing the desperation
  • Narrative enigma
  • Shift of emotions from angry to wanting help and advise
Louis, Amelie, James and Hugo


  • Amelie entering 
  • Amelie being very controlling - parental controls on phone etc.
  • Bar tender character knowing everything
  • Relationship between Louis and Amelie's character
  • Conflict in Louis - whether to stay in bar or go with Amelie - apparent in walk
  • Wedding in the air but it never quite happen
  • Possibly the morning of the wedding but doesn't go right.
Seth, Silvana and Hugo



  • Betrayal of trust 
  • People finding out
  • Misunderstanding - Hugo not knowing and then calming down once understood - shift
  • Introduction of Hugo's character

What we liked:
A new character entering the scene to create a comic affect (Meredith being controlling)
Betrayal of trust (telling other peoples secrets and then the other finding out)
DV8 style of theatre
The barman could hear everyones secrets but keeps them to himself
The misunderstanding (Silvana, Seth and Hugo - Hugo came in shouting but then understood)
Never getting to the wedding

Plot ideas:
Potential 5 plot points
Controlling girlfriend - never quit gets married -have comic scene with wife continuously walking on on him doing things he shouldn't
Barman hears everything people say
Bartender could tell the story
rehearsal Dinner party - tension begins
couples yoga - deep discussion - Amelie tells off Louis
confrontation - Louis is told that Amelie is a bad influence, goes home, tries to talk to her, manipulated into thinking

WARM UP

We did some warming up after lunch which we had planned in the previous lesson.  In our pairs we lead a warm up.  It was important to get our bodies warm and moving around as we were doing Frantic Assembly.
Seth and I lead some stretches and also used the song Roxanne by The Police.  Every time it said "Roxanne", the girls had to do a push up and every time it said "red light", the boys had to do a pushup.
...

Amelie and Silvana also lead some stretches.
Hugo and Tristan made the group do push ups for 1 minute as well as sit ups for 2 minutes.
Louis and James used the song Love The Way You Lie by Rihanna and Eminem.  When Eminem was rapping, we had to hold a plank position and when Rihanna sang, we would break.


At the end, we played a hand game where everyone lies on their stomach in a circle facing the middle with their hands in front of them.  Then everyone put their right hand over the left hand of the person to their right.  Then we would go round in a circle and everyone would tap the floor in order of the hands.  It gets very difficult because you think that your hand is next when it isn't.  Whenever someone messed up, they would have to get up and run around the circle before everyone has slapped around the circle.  If they didn't get there in time, they would have to do 10 push ups.

SWINDON 5

We tried a Frantic method from Curious Incident of the Dog in the Nighttime.  We started by having all of us walking around in a big figure of 8, trying to weave us together.  Then we added in points where we would change from walking forwards to walking backwards.  We then had Tristan in the middle who's objective was to get our attention but we didn't give it to him.  His next objective was to pick up a book from the ground but the rest of us had the objective of not letting Tristan pick it up.  This could be used in a panicky scene where the person in the centre feels like they can't get a hold of something or they're frustrated.  We also thought that this would be good in a train station, a school hallway and a busy hospital.

LIFTS

We moved on to lifts by Frantic Assembly.  The first lift we looked at was the hip lift.  One person had to have their arm around the other's waist and squat down to get their hip below the other persons.  Then they would take a step and then, with pressure applied to the hip area, would lift the other person up.


The second lift we looked at was the clipboard lift.  One person had to squat to get their hips lower than the other persons and then the other person would put their arm over their shoulder and clamp it together.

...
The last lift we looked at was the one rock lift.  There were two people standing opposite each other and one was squatted down.  Then the other would go up to them and press down on their shoulders and lift one leg up.  Everyone else would then lift the person from underneath.  The person in the air could then let go of the first person's shoulders.
...

LOYALTY CHOREOGRAPHY

We then had the task to create a piece about loyalty using Frantic Assembly's methods.  We could use the ones from last week as well, such as chair duets and round, by, through.
This is what we've created so far.
...

Wednesday, 8 January 2020

WHERE LOYALTIES LIE1 Starting

Today we are starting our new project that we will performance at the start of March. The aim for todays lesson is to read through 'Art', as this is a play that we will chose to take influence from. We like the themes of loyalty and friendship in this play.

To begin with, we reread pages 42 and 43 of the script of the play 'ART' to familiarise ourselves with the plot, characters and themes after the Christmas break. We began by splitting into groups of boys and girls. The boys worked on developing the scene where Serge brings up his problem with Mark's girlfriend and Yvan is caught in the middle. We spent 15 minutes experimenting with different ways of directing this scene, and different ways of blocking it. We then performed this short scene to the rest of the class. The feedback we received was that it was a fascinating way of portraying the meaning in the scene. We then applied this scene and the feedback to our own piece, and decided that we would need to emphasise Yvan's uncertainty and his objective: i.e to keep the peace and stop his group breaking up.

While we worked n that scene, the girls were working on exploring a potential scene through improvisation. This was a scene where Mark's girlfriend Paula interacts with his friends. After watching their performance, we decided that this scene wasn't working. We decided to rework the scene, and have each actor playing a different role (with Amelie playing Paula, Emma playing Serge and Silvana playing Yvan). This worked better as each actor fitted each character better, meaning the flow of the scene worked.

A specific issue we addressed for this performance was creating a mature performance that stepped away from teenage issues as this has been a common theme that our group had produced earlier in our school year.

We chose to create a scene that used characters from 'Art'. We all sat around a dinner table while My character and Amelie's character announced that we were getting engaged. We chose to do improvise this scene to develop any conflicting opinions between the characters. Amelie was playing a hippie (similar to Paula) and I was playing her boyfriend (who was slightly controlled by her). Emma was playing an obnoxious dental nurse, Seth was a drug addict, Silvana worked for a charity and Hugo was a young man living off his parents with far-right opinions. We took inspiration from this

The scene began slowly, however towards the end, some interesting ideas came out. These are:

  • the homeopathy debate
  • the natural medicine Amelie was forcing me to take
  • lack of interest from Seth
  • the contrasts between characters
Later on in the day, we worked on the physical theatre aspect of the piece. We did a few physical warm-ups, including jogging, followed by the walking exercise from three points in the room which we had to move between in different ways.

We began looking at movement called round by through contact improvisation. This is a series of non-naturalistic movements used to demonstrate a relationship between two characters. Here is an example we took inspiration from.

Link

In this video, the moves between the characters are complicated, therefore the moves we were doing were a lot simpler. We split into groups of 2 and worked on creating a short sequence of movement each. It was a slightly complicated task at first, as it was something new and we were unsure on the movements however at the end, we began to get the hang of it. One sequence that I felt was specifically impactful was between Amelie and Seth, as theirs was slightly more advanced, with different use of proxemics.

After this, we looked at developing monologues. Monologues are a very good starting point for devising theatre as it gives more detail to each character. As we wanted equal contribution from every actor, we set out 7 pieces of paper around the room and we had a set amount of time on each one. To make sure we were able to develop the monologues, there was a specific scenario at the top of each paper. At the end of this exercise, we all sat in a circle and read out each monologue. The only issue with this exercise is that they didn't always make sense, as we were rushed while writing. Overall, there were a series of good ideas that we were prepared to explore.

As we knew we wanted to explore friendships, we decided on the name 'Where loyalties lie' as it would give us a bit more control on the plot, as we knew we had a specific concept to follow.