The Seagull
(notes from 1/06)
Looking at the reviews of The Seagull meant I could understand the audience reactions of a naturalistic based performance. At the moment, I believe contemporary theatre requires both styles, and these reviews were important because it showed me how successful naturalism still is in contemporary theatre.
Audience reviews
https://www.timeout.com/london/theatre/the-seagull-review
https://artsfuse.org/191178/theater-review-the-seagull-an-exceptional-staging-of-a-legendary-play/
https://chicagocritic.com/the-seagull/
https://www.londontheatre1.com/reviews/review-the-seagull-theatro-technis/
https://www.nytimes.com/2008/03/14/theater/reviews/14seag.html
https://www.redbrick.me/review-the-seagull-at-the-crescent-theatre/
https://dctheatrescene.com/2019/03/18/the-seagull-review-from-the-wheel/
https://www.theguardian.com/stage/2017/oct/12/the-seagull-review-lesley-sharp-chekhov-lyric-hammersmith
https://www.newyorktheatreguide.com/reviews/the-seagull-0
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